Last week, I was at what is D.C.’s arguably most beautiful venue, The Anthem, for the Ben Platt show. I am not a “Dear Evan Hansen” fanatic (not knocking it, just haven’t seen it) but when Platt performed “Somewhere” (from “West Side Story”) on the 2018 Grammy’s, accompanied by just a guitarist and a cellist, his stunning rendition of the song nearly broke my heart, so I was curious to see him live.
I had no takers when I floated buying tickets, and pondered going solo. But then I saw that HeadCount.org, the national bi-partisan group dedicated to signing up new voters at special events, was offering free admission to volunteers who would stand with a clipboard, addressing the audience as it arrived to find new electoral blood. So, I had a mission, very nice people to hang with, and free entry to the show. Win-win, yes?
Though our little team of four had limited success finding new voters (as our leader noted, D.C. is a government town, so most people are registered), I’d say that 90% of the people I addressed were psyched to see us, many saying “thanks for being here,” or expressing how much they wanted to vote – for change! – as soon as possible. This was an unusually mixed crowd for The Anthem, as you might expect for a concert by an openly gay Broadway veteran touring on a solo album of big-hearted ballads – same-sex couples, white-haired matinee ladies, and high school theatre nerds (I was one!). In short, a place for sequins, not MAGA hats.
But there’s always a few bummers, not downright rude, but folks who look at you like you have three heads when you simply ask, “Are you registered to vote?” And teenagers who don’t know how to talk to anyone not in high school! I asked one girl how old she was (you can preregister at 16 in D.C. and Maryland, 17 in Virginia). She stared at me and mumbled, “I don’t know.” Probably best that you don’t vote, honey.
Doing my civic duty meant that I missed the two opening acts, but I was done with just enough time to grab a bite and find a great seat about 30 rows back from the stage to enjoy the show. (No SLR tonight; just iPhone.)
Ben Platt is a mensch – and I don’t think he’d mind me saying that. He’s a good Jewish boy who talks lovingly about his parents, writes and dedicates songs to them, graciously shares the spotlight with his band, and repeatedly thanks his audience, radiating genuine joy about being back where “Dear Evan Hansen” was born and raised before moving to NYC.
As best as I could tell (again, I don’t know the show), Platt didn’t perform anything from the musical that made him famous (I would have thought maybe as an encore, but no), concentrating on his debut album, “Sing to Me Instead,” and a few cool covers. There is no set list posted from the D.C. show, but this one from Chicago seems to be the same as our show, although I would have sworn “Honky Cat” was the Elton John tune.
Platt’s voice was as good as I could have hoped, his between-song stories were immenschly (I made a word!) sweet, and, considering I barely knew his original material, the songs made a good first impression with their strong melodies and lyrical emotion. I moved closer to the stage to take a few more photos and found another comfy seat in the second row.
Sometimes it feels like the world is on fire and there’s no good news to be had. Spending time in a big room full of people with a like-minded appreciation of musical talent and love (is love is love!) is one way to find hope again. A great way to spend a rainy Saturday night.