…for a musical announcement. Kanye West has released a new album.
We will return soon with more talk about music discoveries in England.
…for a musical announcement. Kanye West has released a new album.
We will return soon with more talk about music discoveries in England.
My next music source, accounting for the majority of my U.K. CD purchases, was discovered by accident, when I popped into Poundland to buy toilet paper. Much like our American dollar stores, the Poundland chain offers a mish-mash of items priced at £1 or £2 pounds per, or mixtures thereof (3 for £2, etc.). To my delight, the store had a fairly large wall section devoted to CD’s and DVDs in fully guaranteed “replay” condition. (Upon opening, I found them all in superb condition.)
If I were Robbie Williams, I’d be worried. The former Take That singer hardly registers a blip with American audiences, but is a stadium-filling star in the U.K. And yet, in his homeland, you can find an extensive slice of his discography –at least a half dozen titles – in the Poundland racks. I have all the Robbie Williams, I need, so I went for others. At an exchange rate close to $1.50, I bought the following over the course of two visits, restricted not by price but by the need to conserve packing space. (As it is, I left all the jewel cases at home, preserving only digi-paks and multiple disc sets):
1. The Pigeon Detectives – Emergency (PIAS/Dance to the Radio, 2008) I’d heard the name before and loved the album graphics – cartoon rocketship, spacemen with rayguns. Listening now, it’s a bright, easy pop sound. Titles like “Love You for a Day (Hate You for a Week)” and “Keep On Your Dress” give it a cheeky monkey feel.
2. Guillemots – Through the Windowpane (Polydor, 20066) Before we left the U.S., younger daughter and I were talking about music she liked back in Toronto, where she’s lived for the past five years. She mentioned liking this band, which I had no knowledge of, so buying this was a no-brainer.
3. Moshi Monsters – Music Roxy (Mind Candy, 2012) Again, the graphics got me – some kind of kids show, with a trippy anime-meets-Teletubbies vibe. From Wikipedia: “Moshi Monsters is a website aimed at children aged 6–12 with over 90 million registered users in 150 territories worldwide. Users choose from one of six virtual pet monsters…” and “once their pet has been customized, players can navigate their way around Monstro City, take daily puzzle challenges to earn ‘Rox’ (a virtual currency), play games, personalize their room and communicate with other users in a safe environment (most [sic] the time).”
Not surprisingly, the little dudes’ success has led to Moshi Monsters Magazine (“the number-one selling kids’ magazine in the UK”), a video game, books, toys, and a feature film which one Englsh critic said “will leave adults bored, stupefied, revolted and appalled.”
The music here? Very synthy, with chipmunk-y vocals on some tracks, and a few actually catchy pop/rap mixes, like “Moptop Teenybop (My Hair’s Too Long).” Kids just wanna have fun, after all. BTW, In 2011, Lady Gaga’s legal team was granted an injunction by a U.K High Court High Court to stop the Monsters’ parent company from releasing music by a character named Lady Goo Goo, including the parody “Peppy-razzi” (similar to “Paparazzi”). There’s nothing of such a parody nature to be had here
4. Sander Kleinenberg – Renaissance: Everybody (Renaissance, 2003) Again, Wikipedia: “a Dutch disc jockey, VDJ and record producer. He founded and runs Little Mountain Recordings and THIS IS Recordings. Kleinenberg is well known for his use of digital video in concerts, his “Everybody” and “THIS IS” brands of club nights and albums…” He’s also done remixes for Justin Timberlake, Madonna, Janet Jackson, Daft Punk, and Katy Perry, among others.
I knew none of this, but the double-CD compilation – still just one pound! – seemed like a good way to hear some new (to me) electronica. It’s playing as I type this and while I enjoy the genre as energizing background music, I also wonder whether some of these compilations are the musical equivalent of a bottle of wine – cost about $10-15 and, once you’ve enjoyed it, you can put the empty into the recycling.
5. David Craig – Born To Do It (Wildstar, 2000) I recall the name as a British artist of some reknown, and heard him on the radio later on the trip as if to confirm that it was a good pound spent.
6. One Night Only – Started a Fire (2008) Five young moptops walking through a hallway on the cover, and a sticker that reads, “The UK’s most perfectly crafted arena band – NME.” Coming from NME, that could be a slap and not a kiss, but I gave it a go and am enjoying the pleasantly accented pop/rock tunes which, it turns out, were produced by the credible Steve Lillywhite. Alas, the sticker promised extra downloads but they are of a previous software version that cannot be read anymore. (How many of those spiffy enhanced CDs we bought years ago have suffered the same fate?)
It seems that the band is still alive and kicking, having released an album just last year through fan funding. And I just read that the band once toured with the Pigeon Detectives, so I have a complete show!
At the £1 price point, I couldn’t resist a few discs by American artists – titles I didn’t have in the home collection, like:
7. Janet Jackson – Design of a Decade 1986-1996 (A&M) Do I have this CD already at home? May have been fooled by a cover design I don’t recognize, but where else can I get 18 hit tracks for less than 10 cents each?
8. The Killers – Sawdust. (Vertigo U.K. 2007) I didn’t realize they’d recorded with Lou Reed (opening track, Tranquilizer”) or did covers of “Ruby Don’t Take Your Love to Town” (meh) and “Romeo and Juliet” (fine, but nothing beats hearing it in the studio when I went to interview Mark Knopfler during the recording of the Dire Straits original.) (Sorry, I didn’t intend to be an obvious name-dropper, but it just occurred to me, and damn he was lovely to meet!). Except for the dance remix of “Mr. Brightside,” which I already have, not sure there’s much I’d keep after running through most of it.
Chances are, if I’d been in England longer, I would have gone back to Poundland yet again. And would probably have a lot more Robbie Williams in my collection.
Next up, I finally get some NEW music, thanks to Tesco.
Our week-long visit to England lost a day when our flight was delayed from Wednesday night (Jan. 20) to Thursday morning (Jan. 21). Given that we were there to see Grad Girl’s PhD ceremony, attend/provide various goodbye/30th birthday celebrations before bringing her home, and had one full day booked for the Harry Potter Studios tour just outside of London, there wasn’t much time to go searching for music events/purchases. Our home base for the visit was the historic-and-quaint-to-the-point-of-being-almost-unnerving Stratford-Upon-Avon and it had no record store – or so I thought. (It’s called foreshadowing.)
As we toured the town, I kept my eyes peeled for potential sources of musical satisfaction and, when I saw the Oxfam books and music thrift shop, I dove in, of course. There was a small selection of vinyl, some of which was priced for collectors – $25+ for a Beatles LP! (didn’t check/don’t think it was a particular rarity) – and a lot of cheapies that didn’t inspire excitement.
Younger daughter got the best of the lot – Relaxing with Val (Doonican), volume one (!) in a Readers Digest collection, made in France and taken from the Phillips catalog. Here’s our boy, the fifth Beatle on our adventure, as we carried the vinyl around carefully and worked to make sure he was comfortable and safe.
The liner notes on this record are a hoot, and reading them aloud was a favorite pastime around the dinner table. Here are a few of the best bits, referring to various songs on the vinyl (emphasis on what quickly became our vacation catchphrases):
”The Lover’s Ghost” – “A young man welcomes back his sweetheart after a long absence, but then makes the disconcerting discovery that she is dead.”
“My Coloring Book” – “A self portrait of lovelorn despair….Val invites us to wield the melancholy crayons, and depict the empty loneliness of his life now that the girl he depended upon is gone.”
“Lazy” – “Relaxation returns with a drowsy vengeance…”
“Innocent” – “The keynote of realism continues with a song beginning in the fairweather idyll of childhood for a boy and girl and ending in lethal finality for both of them as life progresses, corrupting and betraying. Notice again the total lack of casualness in the Doonican approach, which contains a maximum of perceptive awareness.”
Wow. The liner notes gave no credit to the writer, but s/he is my new literary hero(ine).
On Wikipedia, I learn that “Michael Valentine “Val” Doonican (3 February 1927 – 1 July 2015) was an Irish singer of traditional pop, easy listening, and novelty songs, who was noted for his warm and relaxed style.” He also frequently sang from a rocking chair. (One of his albums is entitled Val Doonican Rocks, But Gently). He also makes a cameo appearance on the Bonzo Dog Doo-Dah Band‘s “The Intro and the Outro,”saying “hello there.”
When I was searching for images of Val, Google gave me the following:
The gift just keeps on giving. Next to the gently rocking glory of Val, the few CDs I bought to satisfy my initial itch for tune-age paled in comparison:
Don’t want to leave you on a down note. Come back soon because next up, there will be a musical feeding frenzy at Poundland!
When a famous person dies, social media explodes with tributes and appreciations, perhaps a personal story of a brush with the deceased, more often a discussion of the impact he or she had on the culture, or on the individual writing. What can I contribute about David Bowie? Nothing that hasn’t been said before or more poetically.
I never had the great fortune to meet him in any personal or professional capacity, but a number of the music biz people on my Facebook feed did. It is their stories – of a kind and helpful gentleman who didn’t assume privilege because of his fame and talent – that mean as much to me as remembering his brilliant music and all it meant to me/us.
One person wrote that, Bowie, having recently opened the off-Broadway “Lazurus” play to great reviews, then making a video of the same name with prescient imagery of death, and finally celebrating his birthday and release of the album known as “Blackstar” (also critically admired) just days before his death, had achieved the ultimate mic drop. Well, he was the consummate showman (I think he’d appreciate the double entendre).
I saw David Bowie perform live three times, the last being at the Area One Festival back in 2002. He was in fine spirits, with a beautiful smile, seemingly as happy to see us as we were to see him. Here are a few of the shots I took that day, thrilled to be so close to a true musical legend.
The Starman will always be waiting in our sky, continuing to blow our minds.
(Days Just Past) As a popular dorm poster once declared, “Today is the first day of the rest of your life.” While you could say this on any and every new morning, New Year’s Day is certainly the traditional time to commit to a fresh start in life, love and general happiness. I try not to put too much pressure on this day of new calendars and metaphorical page-turning but yeah, I’m looking to hit the reboot button and get some cool new things happening in 2016. (Note that I’m posting this on January 2, but I wrote most of it on 1/1/16.)
First off, I hope your December holidays, whatever you celebrate, were as happy as our family’s Christmas was. At our annual open house, the Fezziwig Ball, we had 81 people stop in to share food, drinks and fun. Christmas morning was the usual bacchanal of good cheer and not-entirely-cautious consumerism. I had much musical bounty to enjoy, including cool new print matter like “The Rock and Roll Hall of Fame Day-by-Day Trivia Calendar;” Carrie Brownstein’s memoir, “Hunger Makes Me a Modern Girl;” Elvis Costello’s “Unfaithful Music & Disappearing Ink” (book edition; the digital download of music arrived earlier this year) and “Dust & Grooves: Adventures in Record Collecting,” a massive tome that, among other purposes, serves to prove to my husband that he could have it much, much worse when it comes to how/where I store my music.
As for actual playable new tunes, I am the proud new owner of The Unthanks Memory Box, a bee-you-tee-ous collection, requested from and obtained by my British-resident (for now) PhD graduate. It includes a vinyl 7″, a CD, a DVD, postcards, recipes and much more, all letterpress printed with love. There’s even one piece signed by the band members.
My other daughter, a Toronto resident (for now), took my request for cool new music to heart by sharing a local favorite with me, The Meligrove Band, in two formats – Shimmering Lights (vinyl album) and Let It Grow (CD). I also got Ryan Adam’s 1989 on gorgeous sea-foam green vinyl, given to me by my 89-year-old mother. (No, she’s not as hipster as all that. She gave me a check for $25 and I ordered it for myself, but it’s no less appreciated.)
Meanwhile, my Beatles fanboy husband scored the #1’s CD/DVD set and Ringo’s photography book, and a copy of Mojo with a CD collection called Songs the Beatles Taught Us. Also, a gift from me to him that’s really for the both of us – Laurie Anderson’s soundtrack to Heart of A Dog.
(Looking Ahead) As this new year begins, I post here in hopes of better organizing my social media presence. I’m currently most active on Twitter (@mariannemeyer) and plan to revive my Instagram account (ClosePersonalFriend) since my high tech research team (two neighborhood teens with good taste) tell me that IG is where it’s at. Nevertheless, I remain an active Facebook user, though I intend to cull my friends list to remove people whose negativity drags me down. (Nonetheless, here’s the Facebook link if you want to reach out.)
I’m still writing as a pay-by-the-click digital lackey: Digital Music Examiner (national music news and free, legal downloads), DC Concert Photography Examiner (DC local news and concert reviews with photo slideshows) and AXS Contributor (general tour and video news).
And then there’s this...(Read on for a Freebie)
Since nobody’s beating down my door with offers to write about music for real money, I have been exploring the world of self-publishing, both POD (print-on-demand) and e-books and plan to get way more involved in the coming year.
My first foray into the latter, e-published in December, is a simple concert photo book of Aussie pop/punk boy band 5 Seconds of Summer, shot when they opened for One Direction in 2014 at Nationals Stadium. I originally intended to create an ebook of 1D photos, and still plan to do so, but decided to start with 5SOS as a simpler effort, since I had fewer photos and, frankly, wanted to tackle the learning curve with a band I didn’t love like I do my 1D boys.
Admittedly, the 5SOS nation has not, so far, risen to my bait. I am not selling well, with mostly just friends and family shelling out the $2.99 (hey, it would cost them more to buy me a holiday latte!) or using promo download codes the iBooks system gave me to toss about. Speaking of which, the first five people who send an email to my new eddress – Marianne@closepersonalfriend.com – will get a free download code of his/her very own.
Maybe not the holiday gift you were most hoping for, but what they heck – Happy New Year, m’dears!
How’s the summer treating you so far? Been keeping busy myself and, as ever, have fallen way behind in keeping my CPFs informed here. In the most immediate past, I had a great time last night at my “local,” Jammin’ Java, for a three-act bill of MYZICA, Cheerleader and Civil Twilight, a show which I’ll be writing up for my examiner.com column tomorrow (if I’m a good girl). In the meantime, here’s a shot of Civil Twlight, the headliner, who brought U2-style arena rock to the small venue.
In an effort to catch up with the archival element of this blog, here’s a selection of recent articles posted since we last met:
Opening of Woo Live! Concert venue (As an addendum to this news, Mei Verba, cited as the new venue’s booker in the story, has since severed her ties with the club and moved most of the shows to new venues, although the club’s web site still has shows scheduled.)
My AXS column includes the following recent posts:
And, finally, the latest from my Digital Music column:
Jay Burden at SXSW – When local musician (and CPF) Jay Burden, of the band dedWAX, told me that he was going to SXSW to work at a club there for the duration of the big fest, I asked him to report back with what he saw and heard. That became a four-part series for the column, including a) an introduction to Jay and his music, b) a first-hand report from Jay on his arrival and settling into the scene, c) a Q&A about his time in Texas, and d) his summation of the experience and a podcast he made while at SXSW.
And that’s only what I actually wrote about doing! Having taken care of the “housekeeping,” I’ll try to return soon – and more often – with stuff As It Happens. Stay cool!
Greetings, (close personal) friends!
Not a lot of time today, but last Friday night, I was a judge at the 12th edition of Jammin Java’s Mid-Atlantic Band Battle, and the evening’s host promised from the stage that I would be posting photos and such from the event here at CPF.
To make good on that promise, here is a shot of the winning band, Leesburg, VA’s own Swell Daze, with their oversized prize check and producer Jim Ebert, who will produce for them as part of their booty haul.
I also wrote up the night for my column at examiner, so you can get many more photos and a bunch o’ words, too, if you click right here.